While we talk about technique and form in the photography workshops and studies we organize, we explain each title as independent from each other. We describe the shutter speed as if there is no diaphragm, while talking about the diaphragm as if ISO is irrelevant, then we bring these elements together. In the composition, we explain the titles such as clarity, graphics, color, center of interest as separate titles. However, when we hang our camera around our neck and go out and do a photo shoot, all these information and preferences appear as subjects that need to be studied together. For this reason, in many workshops, I try to summarize the subject with a definition such as “we master all of these topics, and when we encounter a topic, we use the appropriate ones”.
The lower part of the Siosepol Bridge, located in Isfahan, Iran, has a strong visuality with the rhythm provided by the interlocking arches. However, knowledge of rhythm alone is not enough for us to create an effective photograph. At the same time, we need to use the perspective effect, revealing the color and the center of interest, using the travel-view space correctly, pressing the shutter button at the appropriate moment, and choosing the right shooting angle.
The outfit of the officer cleaning under the bridge was the first clue to be an effective framing, as it contrasted with the general environment. I determined the shooting angle by moving to the point where we can see the rhythm and perspective effect created by the interlocking arches, that is, right in the middle. Shooting the attendant when he stumbled upon the Golden Cut and moved into the photo would also create a strong center of attention.
The fact that the interior has a homogeneous light condition also relieves us in terms of measurement. Since the light values were the same at almost every point, there would not be a part of the photo that exploded or remained in the dark. With the help of the tele lens, I ensured the accumulation of perspective and ensured that the watching eye easily entered the photograph and got involved in the subject.
